Analyitics
Sunday, September 28, 2014
Tuesday, September 23, 2014
Happy Banned Books Week!
"We all know that books burn, yet we have the greater knowledge that books cannot be killed by fire. People die, but books never die. No man and no force can put thought in a concentration camp forever. No man and no force can take from the world the books that embody man's eternal fight against tyranny of every kind. In this war, we know, books are weapons. And it is a part of your dedication always to make them weapons for man's freedom."The American Library Association has named September 21-27th Banned Books Week as a way of celebrating the freedom to read. It's remarkable to think that it wasn't so long ago that books were regularly being censored - the famous ones I can think of are The Catcher in the Rye, Lady Chatterly's Lover, Naked Lunch, and - one of the great formative novels of my youth - Robert Cormier's excellent The Chocolate War. Luckily, through vigilance and additional delivery platforms such as eBooks, censorship appears to be minimized these days, but it's worth remembering how grim the situation was.
- Franklin D. Roosevelt
In reading about this event, I came across this powerful afterward added to Ray Bradbury's Fahrenheit 451:
"About two years ago, a letter arrived from a solemn young Vassar lady telling me how much she enjoyed reading my experiment in space mythology, The Martian Chronicles. But, she added, wouldn't it be a good idea, this late in time, to rewrite the book inserting more women's characters and roles? A few years before that I got a certain amount of mail concerning the same Martian book complaining that the blacks in the book were Uncle Toms and why didn't I "do them over"? Along about then came a note from a Southern white suggesting that I was prejudiced in favor of the blacks and the entire story should be dropped. Two weeks ago my mount of mail delivered forth a pip-squeak mouse of a letter from a well-known publishing house that wanted to reprint my story "The Fog Horn" in a high school reader. In my story, I had described a lighthouse as having, late at night, an illumination coming from it that was a "God-Light." Looking up at it from the viewpoint of any sea-creature one would have felt that one was in "the Presence." The editors had deleted "God-Light" and "in the Presence." ... Do you begin to get the damned and incredible picture? How did I react to all of the above?h/t Daily Kos
By "firing" the whole lot.
By sending rejection slips to each and every one.
By ticketing the assembly of idiots to the far reaches of hell.
The point is obvious. There is more than one way to burn a book. And the world is full of people running about with lit matches."
Cross Posted on Thought Ambience
Monday, September 22, 2014
Mizuno Wave Hitogami 2
The Mizuno Wave Hitogami is a brilliant shoe for fast paced running. Plus, with a MSRP of under $100 -- and several stores selling them for $75 or less -- the price is certainly right.
Aesthetically, though, they're a bit of a disaster (not that that will keep me from running in them). Yes, I get it, if you take the left and the right shoe and line them up just so, they sort of look like a Japanese kabuki mask. So, Mizuno added a bunch of extra overlays to create a feature that has nothing to do with running and that nobody will ever see, just for the sake of a talking point? Add on top of that the generally clown-like colors, and I just wasn't impressed.
Luckily, Mizuno will be abandoning all of that for the Wave Mizuno 2, overhauling the upper to create a shoe with an aesthetic closer to that of the now-discontinued Wave Ronin series.
Coming in January 2015, the Hitogami 2...
Aesthetically, though, they're a bit of a disaster (not that that will keep me from running in them). Yes, I get it, if you take the left and the right shoe and line them up just so, they sort of look like a Japanese kabuki mask. So, Mizuno added a bunch of extra overlays to create a feature that has nothing to do with running and that nobody will ever see, just for the sake of a talking point? Add on top of that the generally clown-like colors, and I just wasn't impressed.
Luckily, Mizuno will be abandoning all of that for the Wave Mizuno 2, overhauling the upper to create a shoe with an aesthetic closer to that of the now-discontinued Wave Ronin series.
Coming in January 2015, the Hitogami 2...
Friday, September 5, 2014
Long Island Running: the Greenbelt Trail
| The only good picture I could find of the Trail Map |
I stay at the Hyatt next to Hidden Pond Park in Hauppauge, NY. By looking carefully, I was able to find the entrance to the trail on the north side of Long Island Motor Parkway, which was a break in a chain-link fence overgrown with vines. Once inside, I worked my way up and down some steep hills, moving somewhat slowly due to the loose gravel on the trails. This first portion of the trail system has a series of interconnected trails - some are single track, some are wider and designed for mountain bikes. Continuing north, you'll drop down into Hidden Pond Park itself, where the path flattens out once you start to see the swimming pool and baseball fields. There are a number of trails running around this complex, but if you keep winding north, you'll find yourself in a narrow trail winding in a small right-of-way between neighborhoods and golf courses. Despite this, all of my runs on the northbound portion of the Greenbelt Trail were quiet and isolated - I think I've seen one other person in all of the times I've run there.
I should mention the strange blaze system in the HPP. White blazes mark the main trail, but when coming to a fork or change in direction, there are two white blazes - the second one to ostensibly indicate the change in direction, but it's somewhat confusing. These are interspersed with blazes of different colors, but I haven't determined the reasoning behind these markings, nor have I seen a trail map anywhere. Regardless, once you hit the golf course, the trail is unmistakable.
After crossing Townline Road, the trail is more rural, following a stream and a few tranquil bodies of water. As such, there are a number of helpful wooden bridges over the more marshy portions, all of which were constructed by the local Boy Scouts. (Thanks!) The trail twists and turns, and contains a large amount of roots, so it's hard to keep up a fast pace here, but you'll want to take it slow anyways to enjoy the silence and to catch all of the rabbits bouncing out of your path.
The most challenging part of the runs i've done here was traversing route 347. It's essentially a highway, with no crosswalk or lights anywhere nearby, so you just have to wait for a break in the traffic and sprint across. It's worth it though because the next section of the path takes you through some confier forests with all of the quiet running that involves - the pine needles just swallow up the sound of footfalls. The trail continues from here all of the way to the North Shore, but i've only gone as far as the shopping center in Smithtown. Click here to see my longest northbound run on Strava here.
The section southbound from Hauppauge is located directly across the road from the northbound trail on Long Island Motor Parkway. Here, the trail follows the power lines for a bit, weaves through some significant rolling hills with evergreen trees before dropping down to Old Nichols Road. On the other side of the road, the trail is pleasantly flat, meandering around some horse farms before meeting up with the power lines again. At this point, I lost the trail - the map indicates that the trail continues down to the Long Island Expressway, (somehow) crossing it en route to the southern edge of the island. Here's what this portion of the run looks like. I'm planning on giving this another go during one of my next trips because there's a nice looking Strava segment south of the interstate that I'd like to tackle.
In summary, there are some trails in the meat of Long Island, you just have to know where to look! If anyone reading this has any other good suggestions for running in the Hauppauge area, please drop me a line in the comments.
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| Bridge over a marshy area |
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| McKinley Pond. Usually see a Heron here! |
Thursday, September 4, 2014
Hoka One One Clifton review
There's been a lot of hype lately around the Hoka One One's new lighweight offering, the Clifton. However, sometimes hype is just hype, so I ignored it for a while. However, after reading positive reviews by two bloggers that I respect, by Sam Winebaum and Steve Speirs, I decided to pull the trigger. I've now had them for about week, and have taken them on quick runs, slow jogs, and a long run of 17 miles.
For me, the most important attribute of a shoe is how a fits. No shoe is going to fit every foot, but happily, the Hokas fit my feet well. After swapping out the standard insolve for the thinner Ortholite insole (included in the box), they fit almost exactly the same as the Mizuno road shoes and North Face trail shoes that I ordinarily wear.
The Cliftons are indeed soft, especially at the heel, and I worried a little bit about how well they would run. It turned out that my worries were unnecessary. The shoes turn over very quickly and with very little effort, and I consistently found myself to be running faster than I had planned. And what's more, I was having fun doing it!
There are a few downsides that come with such a stripped down, ultra-cushioned shoe. When I passed through a few wet spots in the sidewalk, my feet slid. The Cliftons have very little traction. And when I ran on the side of a cambered road, my foot sank much deeper into the cushion on the outside, making an otherwise very stable shoe become unstable. I've also noticed more wear on the sole than I would have expected after 40 miles. It may be nothing, but we'll see how long the Cliftons last. (I've now posted an update looking at the Cliftons after 150 miles).
I'd originally envisioned these as a long run shoe, but I'm not going to have a hard time not reaching for them on days when I want to run fast, whatever the distance.
For me, the most important attribute of a shoe is how a fits. No shoe is going to fit every foot, but happily, the Hokas fit my feet well. After swapping out the standard insolve for the thinner Ortholite insole (included in the box), they fit almost exactly the same as the Mizuno road shoes and North Face trail shoes that I ordinarily wear.
The Cliftons are indeed soft, especially at the heel, and I worried a little bit about how well they would run. It turned out that my worries were unnecessary. The shoes turn over very quickly and with very little effort, and I consistently found myself to be running faster than I had planned. And what's more, I was having fun doing it!
There are a few downsides that come with such a stripped down, ultra-cushioned shoe. When I passed through a few wet spots in the sidewalk, my feet slid. The Cliftons have very little traction. And when I ran on the side of a cambered road, my foot sank much deeper into the cushion on the outside, making an otherwise very stable shoe become unstable. I've also noticed more wear on the sole than I would have expected after 40 miles. It may be nothing, but we'll see how long the Cliftons last. (I've now posted an update looking at the Cliftons after 150 miles).
I'd originally envisioned these as a long run shoe, but I'm not going to have a hard time not reaching for them on days when I want to run fast, whatever the distance.
Monday, July 7, 2014
2014 Summer Running Gear
Here in the Nation's capital, it is hot! In the month of July, we typically will see 14 days that reach 90 degrees or higher, and with the high humidity, it feels much hotter. To keep running, you need the right clothes and the right gear. Here is what has been working for me this summer:
The North Face Better Than Naked Hat. Before this summer, I never liked running with hats. They made my head hot, and the headbands frequently gave me headaches. It turns out, I was just wearing the wrong hat. This ultralight hat from The North Face keeps the sun out of my eyes, the sweat off of my face, and my head stays cool.
The North Face Better Than Naked Shirt. Is it insane to pay $50 for a running shirt? Not if it feels like it's made out of butterflies' wings. The Better Than Naked Shirt is insanely light, it wicks sweat away quickly, and it never gets wet and heavy. This shirt is simply light years beyond any other I've tried. Durability remains a question mark, but so far, so good.
Salomon Trail Shorts. Sorry, North Face, but Salomon still makes the best runnning shorts around. Soft, comfortable waist bands, pockets that hold everything I need, legs that don't ride up or chafe. Perfect.
Drymax Running Socks. I used to wear Drymax Lite trail socks, but the regular running socks have a more open weave that breathes better. It turns out, nothing is better than the original.
Amphipod Handheld. Amphipod claims that their ergonomic shape allows the hand to relax, thus eliminating hand cramping and tension. Personally, I've never heard a single runner every complain of hand cramping. Regardless, this handheld is far more comfortable to carry than the typical round bottle, and the curved shape makes it easier to fill at water fountains. There are all sorts of versions with neoprene insulating sleeves, iphone pockets, and the like, but I prefer the most stripped down version for its lower weight and lower price point.
What's been keeping you cool?
The North Face Better Than Naked Hat. Before this summer, I never liked running with hats. They made my head hot, and the headbands frequently gave me headaches. It turns out, I was just wearing the wrong hat. This ultralight hat from The North Face keeps the sun out of my eyes, the sweat off of my face, and my head stays cool.
The North Face Better Than Naked Shirt. Is it insane to pay $50 for a running shirt? Not if it feels like it's made out of butterflies' wings. The Better Than Naked Shirt is insanely light, it wicks sweat away quickly, and it never gets wet and heavy. This shirt is simply light years beyond any other I've tried. Durability remains a question mark, but so far, so good.
Salomon Trail Shorts. Sorry, North Face, but Salomon still makes the best runnning shorts around. Soft, comfortable waist bands, pockets that hold everything I need, legs that don't ride up or chafe. Perfect.
Drymax Running Socks. I used to wear Drymax Lite trail socks, but the regular running socks have a more open weave that breathes better. It turns out, nothing is better than the original.
Amphipod Handheld. Amphipod claims that their ergonomic shape allows the hand to relax, thus eliminating hand cramping and tension. Personally, I've never heard a single runner every complain of hand cramping. Regardless, this handheld is far more comfortable to carry than the typical round bottle, and the curved shape makes it easier to fill at water fountains. There are all sorts of versions with neoprene insulating sleeves, iphone pockets, and the like, but I prefer the most stripped down version for its lower weight and lower price point.
What's been keeping you cool?
Thursday, July 3, 2014
Thoughts on a few Comix and the Kindle Panel Viewer
Most of the comics I’ve read over the last six months were on the Kindle reader. The “Kindle Panel View” presents first the full page of the comic, and then you scroll through each of the individual panels on that page. It’s fascinating, and has both benefits and negatives. On one hand, it’s difficult to see the complete picture that all of the integrated panels construct – which can be a problem when reading Alan Moore comics, or comics where the layout contains unusual panels. On the other hand, zooming in on some of the smaller panels provides an intense focus on the brushwork details of the (for example, some of the amazing inking in the Swamp Thing's Floronic Man). Overall, I still find myself wanting to read comix in their original format, but I imagine if I had a larger color screen I’d feel differently.
So what have I read? Let’s start off with the most recent: Saga of the Swamp Thing Book 1, which contains issues #20-27 of the series run, starting from when the imitable Alan Moore took over writing the story of this strange plant man. The first issue is a creepy but pretty straightforward closing of plot lines from the previous writer blatantly called “Loose Ends.” But with the next issue Moore started to put his stamp on the story, taking us into a trippy world where the Swamp Thing is more than just a cheesy monster but something of great power and beauty. Moore takes us on a journey, showing us how Swamp Thing realizes that the bio-restorative formula accident (a formula "that can make forests out of deserts") that that everyone thought turned scientist Alec Holland into Swamp Thing in reality simply put Holland’s consciousness in some elemental plant-thing. (It’s much more interesting than I’m making it sound.) Despite the stories’ cosmic and epic nature, Moore's writing remains very human – giving us a depth of feeling and motivation behind most of the major characters in a way that most major label comics simply don’t have. Does it all work? No – cameos by the Justice League are strained, and the later issues where Swamp Thing confronts the bizarrely-clad demon Etrigan aren't nearly as moving as the issues without the rest of the DC Universe. Still, Moore’s immaculate pacing and creepy sensibility shine through, supported by Stephen Bisette and John Totleben’s detailed and creepy drawing. Their art - a strange mixture of awkwardness and twisted beauty – consists of lots of crosshatching flowing together in fascinating ways. It’s not at it’s best when depicting action sequences, or traditional “men-in-tights” superheros, but then that’s okay, since at it’s core this is a horror comic par excellence.
(As a side note, since I was reading this on the kindle it was black and white. I've since taken a look at the colored version on the iPad and it was a MUCH lesser experience IMO - the garish colors overwhelmed and took away from the mood and the beauty of the art. Be warned.)
Now the term "horror" is overused these days – it’s more of a genre description than a description of a feeling. Take Junji Ito’s Uzumaki, for example. Uzumaki (“spiral” in Japanese) tells the tale of KurĂ´zu-cho, a Japanese town that is haunted by the pattern of the spiral and is touted as “a masterpiece of horror magna”. It’s a fantastic comic, one that’s genuinely creepy, disgusting, and macabre. But the book as a whole I can’t promote as true horror because the stories don’t combine to tell a complete tale. In reality, after the first few issues honest characters would have run screaming from the town, or crumbled into insanity under the weight of what they saw and their inability to escape it. But this is due partly to the episodic nature of monthly comix: Ito sets up his theme and explores it in inventive and genuinely creepy ways. (The man’s ability to generate genuinely horrific and disturbing images is uncanny.) But like weekly tv shows, the characters needed to be reset before each episode, or change so incrementally that they’re essentially the same. It's only as the series starts to reach its conclusion in the last few issues that it starts to really tell a cohesive tale. In short, despite many excellent moments, it doesn't have the depth of character to inspire the same levels of horror as Moore. But some of those images will just not leave my mind.
I should say that it's unfair to compare any other comics to Moore’s work. His ideas that span multiple issues or volumes seems to rise up out of him fully formed. For instance, check out Watchmen, and how single graphic frames in one issue will have powerful implications many issues down the road. Anotehr great example are the incredible multi-page spreads in Promethia where the art promotes the theme of the story while also moving forward the plot. In short, Moore thinks thematically while retaining a command of the details - a hard skill in any field, but one that is in short supply in comix.
Unless you also read Carla Speed McNeil's Finder, that is. She's the first comix artist since Moore that has impressed me with her thematic reach while being so impressive at a detailed level. (and I'm talking really detailed: check out the depth of thought revealed in the footnotes of her Finder Library volumes and you get a real sense for the amount of time and effort she's spent building up her world.) I have Volumes 1 & 2 and while I can’t say that I understand everything about it, she’s is simply a fantastic storyteller: both engaging & entertaining. What I love are the sheer profusion of bizarre details in her "aboriginal science fiction" – most of the stories take place in a far future where everyone lives in domed cities with fascinating technology, not all of which works (some details of maintenance have been lost to time). The main plotline is ostensibly about Jaegar, an aboriginal of some kind who can both track anyone (the Finder of the title) and serves as a “sin eater” (Wikipedia describes it as being a “ritual scapegoat” which I really like). However, my favorite plot is Dream Sequence, where Magri White, a person who grows an extremely popular virtual reality in his head around which a successful corporation grows – but when White starts to lose his grip on reality, the people hooked on the world in his head start suffering strange and dramatic fates. The skill by which she weaves the effects of the big story together with the struggle in White’s life – and how she visually depicts White’s loosening grip on reality – is very complelling, to the point where I’ve revisited the story multiple times since it was first published in the late 2000s.
So other than the occasional Hellboy, that’s all of the comix I’ve been reading these days. What else should I be checking out?
So what have I read? Let’s start off with the most recent: Saga of the Swamp Thing Book 1, which contains issues #20-27 of the series run, starting from when the imitable Alan Moore took over writing the story of this strange plant man. The first issue is a creepy but pretty straightforward closing of plot lines from the previous writer blatantly called “Loose Ends.” But with the next issue Moore started to put his stamp on the story, taking us into a trippy world where the Swamp Thing is more than just a cheesy monster but something of great power and beauty. Moore takes us on a journey, showing us how Swamp Thing realizes that the bio-restorative formula accident (a formula "that can make forests out of deserts") that that everyone thought turned scientist Alec Holland into Swamp Thing in reality simply put Holland’s consciousness in some elemental plant-thing. (It’s much more interesting than I’m making it sound.) Despite the stories’ cosmic and epic nature, Moore's writing remains very human – giving us a depth of feeling and motivation behind most of the major characters in a way that most major label comics simply don’t have. Does it all work? No – cameos by the Justice League are strained, and the later issues where Swamp Thing confronts the bizarrely-clad demon Etrigan aren't nearly as moving as the issues without the rest of the DC Universe. Still, Moore’s immaculate pacing and creepy sensibility shine through, supported by Stephen Bisette and John Totleben’s detailed and creepy drawing. Their art - a strange mixture of awkwardness and twisted beauty – consists of lots of crosshatching flowing together in fascinating ways. It’s not at it’s best when depicting action sequences, or traditional “men-in-tights” superheros, but then that’s okay, since at it’s core this is a horror comic par excellence.(As a side note, since I was reading this on the kindle it was black and white. I've since taken a look at the colored version on the iPad and it was a MUCH lesser experience IMO - the garish colors overwhelmed and took away from the mood and the beauty of the art. Be warned.)
Now the term "horror" is overused these days – it’s more of a genre description than a description of a feeling. Take Junji Ito’s Uzumaki, for example. Uzumaki (“spiral” in Japanese) tells the tale of KurĂ´zu-cho, a Japanese town that is haunted by the pattern of the spiral and is touted as “a masterpiece of horror magna”. It’s a fantastic comic, one that’s genuinely creepy, disgusting, and macabre. But the book as a whole I can’t promote as true horror because the stories don’t combine to tell a complete tale. In reality, after the first few issues honest characters would have run screaming from the town, or crumbled into insanity under the weight of what they saw and their inability to escape it. But this is due partly to the episodic nature of monthly comix: Ito sets up his theme and explores it in inventive and genuinely creepy ways. (The man’s ability to generate genuinely horrific and disturbing images is uncanny.) But like weekly tv shows, the characters needed to be reset before each episode, or change so incrementally that they’re essentially the same. It's only as the series starts to reach its conclusion in the last few issues that it starts to really tell a cohesive tale. In short, despite many excellent moments, it doesn't have the depth of character to inspire the same levels of horror as Moore. But some of those images will just not leave my mind.
I should say that it's unfair to compare any other comics to Moore’s work. His ideas that span multiple issues or volumes seems to rise up out of him fully formed. For instance, check out Watchmen, and how single graphic frames in one issue will have powerful implications many issues down the road. Anotehr great example are the incredible multi-page spreads in Promethia where the art promotes the theme of the story while also moving forward the plot. In short, Moore thinks thematically while retaining a command of the details - a hard skill in any field, but one that is in short supply in comix.
Unless you also read Carla Speed McNeil's Finder, that is. She's the first comix artist since Moore that has impressed me with her thematic reach while being so impressive at a detailed level. (and I'm talking really detailed: check out the depth of thought revealed in the footnotes of her Finder Library volumes and you get a real sense for the amount of time and effort she's spent building up her world.) I have Volumes 1 & 2 and while I can’t say that I understand everything about it, she’s is simply a fantastic storyteller: both engaging & entertaining. What I love are the sheer profusion of bizarre details in her "aboriginal science fiction" – most of the stories take place in a far future where everyone lives in domed cities with fascinating technology, not all of which works (some details of maintenance have been lost to time). The main plotline is ostensibly about Jaegar, an aboriginal of some kind who can both track anyone (the Finder of the title) and serves as a “sin eater” (Wikipedia describes it as being a “ritual scapegoat” which I really like). However, my favorite plot is Dream Sequence, where Magri White, a person who grows an extremely popular virtual reality in his head around which a successful corporation grows – but when White starts to lose his grip on reality, the people hooked on the world in his head start suffering strange and dramatic fates. The skill by which she weaves the effects of the big story together with the struggle in White’s life – and how she visually depicts White’s loosening grip on reality – is very complelling, to the point where I’ve revisited the story multiple times since it was first published in the late 2000s.
So other than the occasional Hellboy, that’s all of the comix I’ve been reading these days. What else should I be checking out?
Cross Posted on Thought Ambience
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