Analyitics

Showing posts with label David Foster Wallace. Show all posts
Showing posts with label David Foster Wallace. Show all posts

Wednesday, April 18, 2012

No Pulitzer This Year

On Monday, it was announced that the Pulitzer Prize board had withheld its fiction award for 2012. Speculation ran rampant as to why this occured for the first time in 35 years. For more, we go to the WSJ, who clarifies:
"In an interview with the Daily Beast, Maureen Corrigan, one of the three judges for the Pulitzer prize in fiction, clarifies that it wasn’t the judges, but the larger Pulitzer board that decided not to award a prize this year:
“I can safely say that anger and surprise/shock, and just sort of feeling this is an inexplicable decision on the part of the board—that really characterizes, I think, the way all three of us feel,” Corrigan said. “The obvious answer is to let the [jury] pick. We’re the people who have gone through the 300 novels. All the board is asked to do is to read three top novels that we’ve given to them…In fact, what’s happened today is a lot of the articles and blog posts have gotten it wrong—they’ve been blaming the three of us!”
“Honestly, I feel angry on behalf of three great American novels,” added Corrigan, a critic for NPR who also teaches at Georgetown University. According to the Pulitzer’s ground rules, the choice of the judges (or an alternative selection) must be approved by a majority of the board. Evidently that didn’t happen this year."
I am surprised that the larger board didn't feel that any of the three novels - Denis Johnson's Train Dreams, Karen Russell's Swamplandia! and David Foster Wallace's unfinished The Pale Kingwere worth promoting. I think one needs to consider the make up of the board: only one novelist - Junot Diaz - is on the board, and the rest are made up of journalists, reviewers, and academics. Are they really the best judge of the best literature in the land? Personally, I haven't put a lot of faith in the fiction Pulitzer Prize since I learned that in 1974 the board rejected Gravity's Rainbow, the unanimous consensus of the jury. They refused to give an award that year. From the 5/8/74 NYT:

"...members of the 14-member board, which makes recommendations on the 18 Pulitzer Prize categories ... had described the Pynchon novel during their private debate as "unreadable," "turgid," "overwritten," and in parts "obscene." One member editor said he had tried hard but had only gotten a third of the way through the 760-page book."

If the board reacts this way to one of the best books of the 20th century, god knows what their reaction is to the best of contemporary literature. If they don't like the three finalists, that means I should pick up my copies today!

Friday, December 16, 2011

NPR's Top Ten Novels of 2011

Here's NPR's top ten novels of 2011:
  1. Swamplandia! by Karen Russell
  2. Open City by Teju Cole
  3. The Submission by Amy Waldman
  4. The Art Of Fielding by Chad Harbach
  5. The Illumination by Kevin Brockmeier
  6. The Leftovers by Tom Perrotta
  7. The Marriage Plot by Jeffrey Eugenides
  8. State Of Wonder by Ann Patchett
  9. Train Dreams by Denis Johnson
  10. The Pale King: An Unfinished Novel by David Foster Wallace
We're starting to see some themes emerge in that Train Dreams, Swamplandia!, The Art of Fielding, and The Marriage Plot have all appeared in different "best of" lists. Personally, i'm intrigued by The Leftovers; the premise and my experiences with previous Perrotta novels put it on my to-read list, and now i'm pondering moving it up to the top.

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Tuesday, July 5, 2011

Thinking About Literary Irony

Charlie Alderman has a fascinating piece up on HuffPo that analyzes Jonathan Franzen and what critic James Wood labels "hysterical realism." I've always disliked that term, more for the negative connotations that have become associated with it over the years than with the term itself. I also have not read enough Franzen to make an accurate judgement, but am very much looking forward to cracking open Freedom. Anyways, Alterman makes an interesting connection between Franzen and DFW:
...Franzen would need the help of a contemporary in tackling the Black Satirist legacy. While Franzen is the great dramatist of the age of conspicuous consumption and our country's ironic distance towards its effects, his close friend David Foster Wallace is the age's great theorist. In Wallace's non-fiction, [he] contends that, with Watergate as a watershed, post-industrial American youth cannot take politics or their parents' values seriously. They end up mocking everything, including earnestness in relationships, and devolve into self-absorption.
He goes on to make the point that Franzen is more establishment-defending than folks think, which I'm looking forward to finding out for myself when Freedom comes out in paperback.
Personally, i'm hesitant to make sweeping literary generalizations since I just don't read enough, but what Alderman writes makes sense to me. Have you read Franzen? What do you think about him?

(Cross Posted at Thought Ambience)